A high school classmate sent me copies of two little poems I wrote
for a school magazine in 1940. They survived the mice for almost three-quarters
of a century, and the ink has not peeled off.
What we kids liked most about poems was the sound of them.
“Shoot if you
must this old gray head,
but spare your
country’s flag,” she said.
John Greenleaf Whittier kept his quill in tune.
Once upon a
midnight dreary, while I pondered,
weak and weary…
While I nodded,
nearly napping, suddenly there came
a tapping,
As to some one
gently rapping…
Edgar Allen Poe knew tintinnabulation, and how to use it.
The rockets and dive bombers of World War II were thundering
across Europe, and the war was spilling over into Africa. The U.S. was legally
at peace, but the vibes of blitzkreig were felt everywhere. Pearl Harbor was
not far ahead.
That’s why there was a commotion in the press when members of the
Jehovah’s Witness denomination, who were conscientious objectors, refused to
salute the flag.
While this was happening, the tensions in English class were about
infinitives, to split or not to split. And the teacher wanted her kids to write
modern verse that did not rhyme, to write in the free and slightly spooky
spirit of Orson Wells’ “War of the Worlds” and Thornton Wilder’s “Our Town,”
stark and shadowy.
Hence, this verse from a 15-year-old who didn’t know he was just
two years short of boot camp.
Why do we
salute that piece of cloth waving in the wind?
We do not salute
a cloth. That is the flag.
Why do we pledge
allegiance to a brightly colored rag?
We do not pledge
allegiance to a brightly colored rag.
We salute the
pioneers, the explorers, the soldiers.
But they are all
dead.
They are not.
They live today:
The pioneers in
aviation.
The explorers in
medicine.
The soldiers in
science—and war.
We salute them in
respect—not worship.
And this to accompany another student’s article about telephones,
which had already been discovered by teenagers in 1940.
Poles. Tall,
silent telephone poles.
But how loudly
they speak—
What a message
they carry.
Poles. Wires.
Strong, taut
wires,
Poking into stock
markets
In New York. Into
the mellowing buildings
Of San
Francisco’s China Town.
Into the suburban
bungalow,
Tight, slick
wires,
Glistening in the
moonlight.
Death. Fire.
Birth. Money. Tragedy.
This is the story
of telephone wires.
And so, after nearly 75 years, we still have wars and we still
have telephones. We still have verse-writers, too. Dorothy Parker’s now in
e-books that were no more than science fiction when she wrote that men
seldom make passes/ at girls who wear glasses. Another quarter century,
almost, would pass before Betty Frieden explained in a famous book that
feminine vision had nothing to do with spectacles.
They still write verses in high school English classes. Chances
are there’s more teen poetry for peace than there was in 1940, and that more
verses are written to be sung than recited. Chances are the crafting runs
deeper. Teens of the first fully computerized generation have a knowledge
breadth unimagined when their grandparents were memorizing dates in schools
where the cops were never seen, unless maybe for a safe driving lecture. With
that breadth of knowledge comes a reach for depth, and words do the digging.
1 comment:
You are the very best of the best, Mr. Wall
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